This is extremely accessible music, with texts (by Lens) that are often beautiful and expressive. It is extremely difficult for me to categorise. There is an exceptionally strong flavour of the orient running throughout much of these highly eclectic dramas, especially in Terra Terra (The Aquarius Era). I am being serious when I describe the music of these dramas as more enjoyable and accessible than problematical; rather more Barrington Pheloung than Mendelssohn; Indonesian Gamelan than Henze; more Kate Bush than Birtwistle; more Gilbert and Sullivan than Stockhausen; more Ian Anderson of Jethro Tull than Berio, more Tai Chi melody than Wagner and more Kenny G than Vivaldi
